How does north by north west meet a convention of a thriller.
Characterises of
a thriller are they are normally fast past with frequent action. The hero tends
to be resourceful who must thwart the plan of more powerful and better equipped
villains. How can you prepare a dish without adding any spices? In this case
the spices that am talking about are suspense, red herrings and cliff hangers.
These spices accomplish more than adding flavour it takes the movie to a
different extent. A thriller is a villain driven plot was the hero must
overcome them. So your probably wondering how does North by north west fit and
meet the thriller convention.
Back ground knowledge.
North by
Northwest is a suspenseful film directed by Alfred Hitchcock and released in
1959. The film stars Cary Grant as Roger
Thorn hill, an advertising executive who finds himself mistaken as a United
States spy and must out manoeuvre both the police and criminals in attempt to
uncover the hidden truth. Overall, North
by Northwest offers suspense in nearly every scene as we follow Roger Thorn
hill in his adventure. Director Alfred
Hitchcock captures the suspense perfectly, utilising continuity editing
techniques including establishing shots, reverse shots, and match editing, as
well as discontinuity technique.
Characters
So how exactly
does Alfred Hitchcock meet the thriller convention with north by north west?
For starts let’s
start with characters; Phillip Vandamm
is the main antagonist in north by north along side with two of his subordinate
Hench men’s. Its then followed by the protagonist Roger Thronhill an innocent
advertising executive who accidently get mistaken for “George Calpine”. There’s thriller without dangle in distress
eve Kendall in this film she gets herself tangled up between roger thorn hills
which she was supposed to set him up with Phillip vandamm by making roger thorn
hill fall in love with him. Witch she successfully archive however her cover
gets discovered.
Sound
A wide variety
of sound was used throughout North by North West. Starting from
A slow
establishing shot of where George Kaplan is at the crop duster scene emphasis's
his vulnerability. The off screen sound of the crop duster coming down is first
shown as an off screen sound as it gradually gets louder and louder then it
becomes an on screen sound where the bus
is also coming on the road at the same time. The off screen sound fits the
conventions of a thriller because we don’t know what’s coming so it brings suspense.
Then when the duster gets closer it makes the audience go to the edge of their
seats because it builds a tense atmosphere for us but for roger it is quite
threatening as it is a parallel sound.
The setting
creates both a sense of place and a mood and it also reflects Thornhills
emotional state of mind as we as an audience can tell how confused and isolated
he feels. The crop duster setting in north by north west isn't a typical
setting for a thriller. Stereotypical thrillers are usually set in places like
the city or when meeting someone in an underground car park. Somewhere unknown
dark and sinister, that creates a tense atmosphere for the audience to watch. In
north by north west Thornhill is meeting someone in the middle of nowhere in a
crop field in broad daylight which goes against the stereotypes of a thriller. Hitchcock
has said that this scene is based around a nightmare which he had made real. Which
crazy things happen in .He has said the audience is not meant to understand as
it is a narrative because dreams are not narratives they are disjointed. This
scene is something out of the unexpected because it isn't ordinary. It’s a
fantasy scene.
Red Herrings
This is
something that mislead and distracts from the relevant or important issue.
One of the most
significant red herring used in North by Northwest was when Eve shot Roger.
This scene would have shocked the audience as he was the main character, and as
expected audience would've be thought he would survived longer. If he died then
the film narrative would've had no motive as he didn't solve the
misunderstanding between him and the villains. Another example of red herring
used in the film was the use of black limousine coming in the crop duster
scene, which would've made the audience feel something dreadful will happen. It
builds the tension as it was something mysterious and out of the blue. Another
one was a man coming into the scene which may have seemed that the villains had
sent him, but in fact the was just waiting for the bus. So Alfred has added
these elements to scare the audience and make them ask questions and keep them
intrigued in the film.
No comments:
Post a Comment